22. Philip goes and tells Andrew about this; and then Andrew and Philip tell Jesus about this. Philip did not dare to report the desire of the Greeks to Christ himself. Firstly, he could be embarrassed here by the memory of the commandment given by Christ regarding the pagans (Matthew 10:5) and the word of Christ regarding

Shkulev, Philip Stepanovich(1868-1930), Russian poet.

Biography
Born on November 4, 1868 in the village of Pechatniki near Moscow into a poor peasant family, he grew up without a father, who died before his birth. After studying for several months at a parochial school, he was sent to a textile factory at the age of nine, where he crippled his right hand. He worked as a helper in a vegetable shop in Moscow, read a lot and wrote poetry. In 1890 on Sat. Our Hut published the poem On the Night of Ivan Kupala and poems on the Day of the Annunciation, was published in the friendly collections of writers from the people “Meteor”, “Native Field”, “Duma”, “Dreams”, “In Memory of N.A. Nekrasov”, “Initiation” ", "Forward", "Young Shoots", as well as in the periodicals "Native Speech", "Motherland", "Children's Friend", "Family and School", "Ant", "Young Russia", etc.
In 1895 he published his first poetry collection, Duma of a Plowman. In 1902, together with his comrades, he organized the Moscow Comradely Circle of Writers from the People (since 1903 - the Surikov Literary and Musical Circle). In 1904 in translation Shkuleva A book of poems by the Italian populist poet Ada Negri was published. In the poems Hymn to Labor (1904), Worker (1905), and others, he created a symbolic image of a heroic worker entering into combat with the moribund world of capitalism (“He is dark, powerful and dense. / A pair of bronze hands”). In 1905, together with M. Leonov (father of the writer L. Leonov), he organized the Iskra bookstore and its publishing house, which was soon closed for publishing revolutionary literature.
In 1905 Shkulev participated in the armed uprising in Moscow, fought on the barricades of Presnya. During these days, he created his famous poem Kuznetsy (“We are blacksmiths - and our spirit is young...”), published in 1906 in the Moscow weekly “Our Business” and soon became a popular revolutionary song (2nd ed. 1912, published in the newspaper "Nevskaya Zvezda", the circulation was arrested, a criminal case was initiated against the editor; 3rd edition 1923).
From the second half of the 1900s, actively continuing his literary and political activities, Shkulev acted as a satirist and editor of the newspapers “Novaya Pashnya”, “Russian Day”, “Molodaya Volya”, “Muzhitskaya Pravda”, “Narodnaya Pravda”, wrote feuilletons, parodies, ditties, fables in the magazines “Udal”, “Groza”, “My Horn”, etc. In 1911, he was sentenced to prison for publishing the magazine “People's Horn”. Fearing police persecution, he left for Arkhangelsk, where, having resumed cooperation with M. Leonov, he participated in his newspaper “Northern Morning” and published the satirical magazines “Splinter” and “Northern Sting”. In 1912 he was published in the newspapers “Zvezda” and “Pravda”, published the collection Brave Songs, the poem Marusino’s happiness, and in 1917 he published the “centuries-old story” One with a Bipod, and Seven with a Spoon, the anti-monarchist poem Nicholas in Hell.
Performing under many pseudonyms ( Bumblebee, Philip Bogatyr, Blacksmith Vakula, Lefty etc.), Shkulev created a diverse series of images of workers - a foundry worker and a farmer, a blacksmith and a weaver, a shoemaker and a telegraph operator, which, in fact, was the image of one aesthetic and ideological content - a simple and honest fellow, capable of deep feelings and furious anger, expressing his thoughts and feelings are juicy, unambiguous and bright.
After the February Revolution Shkulev- Chairman of the volost zemstvo in his native Pechatniki, after the October Revolution (in 1918 he joined the Bolshevik Party) - chairman of the volost party committee, secretary of the party cell, military commissar, judge. He continued to actively publish in newspapers (“Bednota”, “Working Moscow”, etc.), magazines and collections of proletarian poetry (“Kommunar”, “Forge”, “Chernozem” (1st and 2nd), “Working Spring” , “Poetry of working professions”, etc.).
In 1918 Shkulev wrote the Hymn of the Communards (first published in the collection Hymn to Labor, 1922), developing, like all of Shkulev’s post-revolutionary poetry, the marching tonality and rhythmic pressure of his Kuznetsov. A member of the association of proletarian writers “Kuznitsa”, an honorary member (since 1922) of the literary group “Workers’ Spring”, Shkulev willingly worked with aspiring poets from the workers. In 1929 he published his last lifetime collection, Kuznets. Labor songs, consolidating the characteristic both for himself and for the works of poets of his series of the late 19th - early 20th centuries. an ideological and imaginative system of values ​​based on faith in the indispensable goodness of a person who does hard physical labor and moves the locomotive of history.
Shkulev died in Pechatniki near Moscow on November 16, 1930.

Shkulev Philip Stepanovich born in 1868 in the village of Pechatnikovo, Moscow province into a poor peasant family.

At the age of 10 he began working in a factory, but after injuring his right hand, he left the factory and went to work in a vegetable shop. Here, using my free time, I learned to read and write.

From the age of 15 he began to write poetry, imitating and.

In 1890, the first works of Philip Stepanovich appeared in print (the poem “On the Night of Ivan Kupala”, the poem “On the Day of the Annunciation” and others).

Since that time, Shkulev has constantly collaborated in various magazines and newspapers. Being the editor of the newspapers “Novaya Pashnya”, “Russian Day”, the magazines “Udal”, “Narodny Rozhok” and others, he gathers self-taught poets from the working and peasant masses around these publications.

Philip Stepanovich actively participated in the December armed uprising of 1905 in Moscow.

In 1912 he collaborated with the Bolshevik newspapers Zvezda and Pravda. For editing revolutionary magazines and printing political pamphlets, he was arrested in 1912 and imprisoned for 6 months. The October Revolution was greeted as the long-awaited liberation of the working masses from the shackles of capitalism and exploitation. After October, he actively participated in the proletarian literary movement.

In 1918 he joined the Communist Party.

In Soviet times, two collections of his poems were published: “Hymn to Labor” (1922), “Blacksmiths. Labor songs" (1923).

Early works Shkuleva full of complaints about the plight of the working people, hopes for the philanthropy of the owners of factories and factories, Christian humility and forgiveness. With the development of the labor movement, with the intensification of the class struggle in Russia, the political self-awareness of the working poet developed, and his proletarian worldview matured.

Poems by Shkulev F.S. liberated from Christian-pessimistic sentiments, the idea grows stronger in them that only in struggle will the people win their liberation. During the period of the first Russian revolution, he wrote a poem (1906), which became a popular folk song, especially widespread in the 20s and 30s.

The most important theme of creativity Shkulev Philip Stepanovich- the theme of labor; with love and deep respect he paints the image of a worker, a man of labor. The hard, exhausting work for the capitalist, depicted in the poet’s pre-revolutionary poems, gives way to the joyful hymn to liberated labor in the works he created after October.

Died in 1930 in Moscow.

Shkulev Philip Stepanovich was born in 1868 in the village of Pechatnikovo, Moscow province into a poor peasant family.

At the age of 10 he began working in a factory, but after injuring his right hand, he left the factory and went to work in a vegetable shop. Here, using my free time, I learned to read and write.

From the age of 15 he began to write poetry, imitating Nekrasov and Nadson.

In 1890, the first works of Philip Stepanovich appeared in print (the poem “On the Night of Ivan Kupala”, the poem “On the Day of the Annunciation” and others).

Since that time, Shkulev has been constantly collaborating

In various magazines and newspapers. Being the editor of the newspaper “Novaya Pashnya”, “Russian Day”, the magazines “Udal”, “Narodny Rozhok” and others, he gathers self-taught poets from the working and peasant masses around these publications.

Philip Stepanovich actively participated in the December armed uprising of 1905 in Moscow.

In 1912 he collaborated with the Bolshevik newspapers Zvezda and Pravda. For editing revolutionary magazines and printing political pamphlets, he was arrested in 1912 and imprisoned for 6 months. The October Revolution was greeted as the long-awaited liberation of the workers

The masses from the shackles of capitalism and exploitation. After October, he actively participated in the proletarian literary movement.

In 1918 he joined the Communist Party.

In Soviet times, two collections of his poems were published: “Hymn to Labor” (1922), “Blacksmiths. Labor songs” (1923).

Shkulev's early works are full of complaints about the plight of the working people, hopes for the philanthropy of the owners of factories and factories, Christian humility and forgiveness. With the development of the labor movement, with the intensification of the class struggle in Russia, the political self-awareness of the working poet developed, and his proletarian worldview matured.

The poems of F.S. Shkulev are freed from Christian-pessimistic sentiments; the idea that only in struggle will the people win their liberation becomes stronger in them. During the first Russian revolution, he wrote the poem “We are blacksmiths, and our spirit is young” (1906), which became a popular folk song, especially widespread in the 20s and 30s.

The most important theme of Philipp Stepanovich Shkulev’s work is the theme of labor; with love and deep respect he paints the image of a worker, a man of labor. The hard, exhausting work for the capitalist, depicted in the poet’s pre-revolutionary poems, gives way to the joyful hymn to liberated labor in the works he created after October.

Died in 1930 in Moscow.

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